The shooting death of a police officer is a sensational subject. Most audiences would expect a documentary made about a police officer’s shooting death to be sensational also. But Errol Morris’ The Thin Blue Line is not sensational in any traditional sense. Instead, it is a masterful film that slowly reveals a hidden universe by simple allowing everyone involved—criminals, judges, police officers, and witnesses—to talk and then talk some more. Slowly, the viewer is pulled into the surreal world of Randall Adams (the accused), David Harris (the accuser), and a small Texas town’s justice system.
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Comments:
John Marsh on September 3rd, 2006 at 9:09 am
For my tastes, the most interesting doc made in 50 years. Morris combines direct address interviews with re-stagings (not to mention haunting music) guiding us into doubt as if we were the jury. This time the public defender is an observant artist of high order. Haunting. Post a comment
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